Create the Best Scene to Propel Your Plot and Reveal Your Characters

Revise scenes to enhance the story

Actor Jack Nicholson often offers directors more than one version of a scene. Why? Besides the fact that he's an outside-the-box thinker, Nicholson's rationale for doing a scene more than one way is, simply, choice — to provide the best scene for the story. Writers can benefit from the same approach.

If you're writing a story whose plot lacks forward momentum, or have created a character that isn't fully realized, try this technique:

• Start with a blank page, and write a completely new scene, without considering for the moment whether it meshes with the rest of the story.
• Put the scene aside for a day or two, then repeat the process.
• Wait another day or so, then compare the three scenes — the original and the two new options.

Now ask yourself these questions:

• What does each scene reveal about your character(s)?
• How would each choice affect the story as a whole?
• Which option works best, or feels most real? Why?
• If you're fairly far along in the story, don't start over.

Simply note what will need to change as the thoughts come to mind, and continue writing based on what you know now. You can use what you've learned to inform Draft 2 during the revision process.

What story are you working on that could use a fresh direction?

Happy writing!

For more tips, visit Word for Words, or visit Adele's blog.

Step Into Your Story With Backstory

Step into a scene with backstory

In the last post, we addressed that sinking feeling you get when something's missing in a scene. Yet, the feeling isn't necessarily a harbinger of ill. If you're right about something being wrong, kudos for good instincts. Just don't ignore the feeling. Instead, ponder your query. The answer can be as simple as lack of backstory.

The subject of missing links came up while I was editing and early chapter in a novel. A new character appeared at the start of the chapter, but without much context. Once I revised the scene to create a more concrete setting, I realized I wanted to know more about this new character. It's like introducing two people you hope will hit it off. Pretty hard to do unless you know them both well enough.

So, what do you do when you realize you lack backstory for a character? One approach blends two techniques: Stephen King's imagining your way into a story and Robert Olen Butler's dreamstorming (see the Resources section at the end). In essence, if you don't have a ton of time to write an extensive character study, or if you already have and just need to round out your character, try this. Before you write the chapter, write a scene that involves the character and some facet of his or her past that impacts this section of the current story. But even before you pen to paper or fingertip to keyboard, imagine the possibilities.

Tip: Select a chapter where a new character is introduced. Ask yourself what you want to convey about the person in the context of the current chapter that will allow you to reveal the character's past and convey that to the reader. Before writing let your imagination roam.

Resource: For more on Stephen King's technique, see the August 2010 issue of The Writer, an archived piece by called, "Use Imagery to Bring Your Story to Life." For more on Robert Olen Butler's dreamstorming, see From Where You Dream, Chapter 5, "A Writer Prepares."

Happy writing!