By Adele Annesi

Word for Words is by author Adele Annesi. For Adele's website, visit Adele Annesi.

Thursday, April 25, 2024

Write Poetry to Stretch Your Creativity

Novelist and short story writer Connie Keller talks about how shifting gears and headspace toward writing poetry expands the writer’s creative muscles and broadens the mind.

Q. As a novelist and short story writer, how have you worked with poetry?
My favorite poetry focuses on images. On seeing something common in a new way. For me, poetry restores the wonder in an object or person I’ve taken for granted. In my work, I use poetic images to deepen the emotion of my writing. Specifically, I use metaphor and simile to add pathos to an object or a situation that could easily be overlooked. Poetic images become a way to show, not tell.

Q. What was the impetus for switching gears in writing this poem?
I’d finished writing a novel and taken a two-month break. But I still felt burned out. A friend who is a poet told me about winter garden poetry. While winter garden poetry was new to me, bringing poetry into the public view was not. The city of Winston-Salem, where I live, began a Poetry in Plain Sight program in 2013 where poetry is displayed in public places. Streets, businesses, even the sides of buses—and I love seeing literary art there.

We often see sculpture in public places, but written art is rarely on view, and you only find it in books and journals. But there’s a movement to put poetry in public spaces, and in the case of a winter garden, poetry is encased in ice and put along a garden walkway where passersby can see it. On a larger scale, the Library of Congress has paired with the National Parks Service to bring famous American poetry into seven of our National Parks.

Q. What was the inspiration for your poem?
Several winters ago, I was taking a walk next to the woods and the bare tree limbs crisscrossing the sky caught my attention. It was as if the sky had turned the branches into lace. I fell in love with that image and planned to use the image in my novel. But I never found a place for it. When I sat down to work on a poem, I remembered the image.

Q. How is writing poetry similar to or different from writing fiction?
I write upmarket fiction, which gives me the opportunity to use words in beautiful ways. But poetry gave me an opportunity to explore an image deeply. Like looking into the facets of a jewel.

Q. What other projects are you working on?
I recently finished a novel, and it’s with my literary agent. I’m pondering another poem. And I’m taking notes on a new novel, which means I’m exploring the characters, the setting, and the plot. From that, I sketch scenes.

Q. What else would you like writers and readers to know?
If it has been a long time since you wrote a poem, or maybe you’ve never written a poem—try it. If it seems too intimidating or new, it might be helpful to have limits. For example, write a poem about an image you’ve had in your head for a while. Or, go on a walk and write a poem about something you saw on your walk. Or, find a literary journal that has a themed issue, and write a poem based on that theme. Remember, you’re writing the poem for the joy of it—to stretch the creative muscles in your mind.

Novelist and short story writer Connie Keller is represented by Chris Bucci of Aevitas Creative Management and graduated Phi Beta Kappa with a BA in English from the University of California. Her background includes a variety of experience, from cytogenetic technician to subject indexer to Latin teacher. Connie lives in the Piedmont of North Carolina with her husband and wages a losing war against the deer who always find a way to eat her flowers and vegetables. For more on Connie, visit her Merry Heart blog.

Monday, March 18, 2024

Never the Same Place—Or Person—Twice"

Recently, I was listening to Saturday Cinema, with radio host Lynne Warfel. In advance of the Oscars, Warfel was featuring academy-award winning films and scores, including The Way We Were, a 1973 film starring Robert Redford and Barbara Streisand as two very different people who share time together. Listening to the theme song and reflecting on the poignancy of the music and film, I was reminded of Marcel Proust’s 1900s novel A la Recherche du Temps Perdu, which literally means in search of times lost. All of us return to places we’ve been and people we’ve known, often in search of the past, and many of us write about characters who, in real time or via flashback, are returning for the same reason. How can writers make the most of a scene or story that features a return?

Most of us like returning to places we’ve enjoyed and people we’ve enjoyed being with. Sometimes we go back because we have to. Since the same is true of our characters, here are questions to consider when writing of a return:

  • What or who is the person returning to and why?
  • Are they looking forward to the reunion? Why or why not?
  • Once they arrive, what are their first impressions? What are these based on?
  • How will their impressions evolve as time goes by and reality sets in?
  • What about the place or person is different or the same and why?
  • What’s different about your character and why?
  • Do others in the story realize this? How and why?
  • What are the effects of these realizations on the characters and overall story?
  • How will the return change the character and others in the work?
  • What was the character hoping to find?
  • Did they find it? Why or why not?
  • What are the disappointments in the return?
  • What are the benefits and surprises?

If you’re having trouble envisioning the differences in the place or people between then and now, put the people in a scene together, either in an iconic setting or one that’s off the beaten path. Also give them time alone to realize what is different, and why and how this effects everyone’s lives.

To add spice, consider disruptors that would reveal who these people are today and how the place has changed. For example, if you visit Italy, you’re likely to encounter a transit strike—rail, taxi or both. What happens to your main character then? What do they reveal about themselves as they handle the unexpected?

Situations like this also reveal the character to the character. For example, your main character may take a schedule disruption in stride now, but when the person they’re waiting for is late to dinner, they may unravel, wondering why the person is late and what this says about their relationship. How does the character respond when they realize they’re not as cool under this sort of pressure as they once were?

On some level, we know we can’t go back and find the same person or place we left. Yet, returning yields discoveries about the place and the people, and when faced with the effects of time and change, our characters may respond in ways we don’t expect. Instead of censoring them, let the scene play out, and see where it takes you. Times and people past may be lost in one sense, but we can discover a trove of treasures by searching for them all the same.