|An Eye for Glory|
AA: What inspired you to write this particular story?
KB: While returning from a business trip in the spring of 1998, I strolled into a used book store in the Milwaukee airport terminal. I browsed through the history section and discovered a copy of Infantryman Pettit: The Civil War Letters of Corporal Frederick Pettit in good condition. Corporal Pettit was a young Christian soldier from western Pennsylvania who served in the 100th Pennsylvania Volunteer Infantry Regiment. It is well-known that brother sometimes fought against brother during the Civil War, and even more frequently, friend fought against friend. But as I read the letters Corporal Pettit wrote to his family and friends, it struck me afresh that there were many believers in both armies. It was a common occurrence for one Christian brother to fight another, each trying his best to kill the other, and each equally convinced of the righteousness of his cause. What might happen to a Christian soldier when he discovers he has killed a brother in Christ? I thought there was a story to tell.
AA: To what extent is it fact-based, and how would you categorize the genres?
KB: An Eye for Glory: The Civil War Chronicles of a Citizen Soldier is historical fiction. It is a large story, encompassing almost two years of the war, but as the story is told in the first person, the scope of the novel is limited to what Michael Gabriel Palmer actually saw and heard and did. It is not a story set in the period of the Civil War, but rather the story takes place in history, and Palmer serves both as participant in and reporter of that history. The documented history of the Fourteenth Connecticut Volunteer Infantry forms the framework for the story, and I took few liberties with that historical record.
As with any historical novel, it is often difficult to discern where history ends and fiction begins. The details of battles, army movements and even the weather are as accurate as could be ascertained from existing sources. I have taken no liberties with the facts, and there are no historical epiphanies. However, in the interest of the story and/or for character development, I have added fictitious details in places. For example, the execution of two deserters took place very much as I describe it, except that the men of the Fourteenth Connecticut took no part in it except as observers.
AA: What were the most important lessons you learned along the way?
KB: About writing, I had read of the importance of approaching my writing from three perspectives—as writer, as character, as reader—one at a time, of course. First, as a writer, I must create a compelling story and tell it in a forceful manner using all the gifts I have been graced with to make my writing attractive to the reader. Next, I review my story as the character. Am I conveying the proper aspect of this character's growth or decline that is needed at this point in the story? Is this person's vocabulary fitting to his character? Are the emotions genuine and believable? Finally, I try to analyze what I have written as if I were reading it for the first time. I either read it aloud, or copy the text into my text-to-speech reader and listen to the words. This might seem like a purely mechanical exercise, but it has certainly helped me find errors and avoid repetition, and to generally improve the quality of my writing.
|Author Karl Bacon|
I was fairly knowledgeable about the American Civil War before I ever thought about writing a novel, and I knew the Civil War was the most cataclysmic event in the history of the U.S. But prior to the in-depth research required for this novel, I never truly understood what a terribly taxing and grinding war this was for the armies in the field. Being deprived of proper food, clothing, shelter and basic hygiene, coupled with the rigorous physical hardships of hard marches, exposure to the elements and deadly combat taxed men to the limits of their endurance. A regiment of 1,000 men could be ground down to one-quarter that number after only six months. Filling the ranks with able-bodied soldiers was a persistent concern throughout the war.
As to publishing, even Christian publishers must make a profit, and profit potential is a powerful motive in deciding which books to publish. This means the right story must find its way to the right publisher at a time when that publisher has a need for it. It requires some homework, because the various Christian publishers focus on different genres and subgenres. My case was somewhat unique, but is illustrative. Both Zondervan's mission statement and the fact that they publish historical fiction put them at the top of my list of possible publishers. Although their editor wasn't looking for a Civil War story in particular, she liked my story and saw that it could be a good fit. It would give Zondervan a unique offering with the upcoming 150th anniversary of the war.
AA: What wisdom would you impart to other prospective novelists and writers, particularly first-timers interested in the Christian market?
KB: First, be brutally honest and question yourself. "Is this what God would have of me at this point in my life? Is it His calling or my desire?" Both would be best. "If I pursue writing, will other and perhaps more necessary duties to family or employer or church go undone?" Second, when you write, do it only for the glory of God, and honor Him with the gift you have been given. Third, no matter the stage of your writing career, attend a writers' conference, preferably a Christian one. Opportunities for learning about writing and the publishing business abound, friendships develop, fellowship with others of like precious faith and gifts enriches you, and you have the opportunity to rub elbows with other writers, published authors, agents and editors from many Christian publishing houses.
Author, entrepreneur and student of the Civil War Karl Bacon lives in Naugatuck, Connecticut, with his wife of thirty-three years, Jackie. For more information on An Eye for Glory: The Civil War Chronicles of a Citizen Soldier, visit Karl Bacon.